Catalogue
Manchu Queue (50cm x 40cm) Pencil on Bristol Paper, January 2026
Currently Unavailable
Small Sardinian Study
(14cm x 10cm) Pencil on Bristol Paper, December 2025
Currently Unavailable
I Don't Want to be a Circus Animal (50cm x 40cm) Pencil on Bristol Paper, October 2025
Currently Unavailable
Kayleigh
(50cm x 40cm) Pencil on Bristol Paper, July 2025
Exhibiting October 2nd to November 30th at the University of Hull
Fading Vestiges of a Rapidly Receding Past (40cm x 30cm) Pencil on Bristol Paper,
April 2025
— “McIlwraith saw the contemporary winter ceremonials as faded vestiges of a rapidly receding past. It never occurred to him that they might signify an adaptation of Nuxalk culture to new conditions.” McIlwraith, T.F (1899 - 1964) The Bella Coola Indians, P.xxi University of Toronto Press (1948)
Currently Unavailable
The Eternal Familiarity of Maternal Bonding
(40cm x 30cm) Pencil on Bristol Paper, February 2025
Currently Unavailable
The Transcendental Empty Kissable Milk Light of Everlasting Eternity (50cm x 40cm) Pencil on Bristol Paper,
January 2025
— “. . . there is no wall and no horror just Transcendental Empty Kissable Milk Light of Everlasting Eternity’s true and perfect empty nature. — I know everything’s alright but I want proof and the Buddhas and the Virgin Marys are there reminding me of the solemn pledge of faith in this harsh and stupid earth where we rage our so-called lives in a sea of worry,” Kerouac, J (1922-1969) Tristessa, p.9 Penguin Classics (2019)
Currently Unavailable
The Central Entire Essence of Pious Reflection (50cm x 40cm)
Pencil on Bristol Paper, October 2024
— “. . . failing with lack-hands in fallen-angel world of shadows and glore, the central entire essence of which is dazzling radiant blissful ecstasy unending, the unbelievable Truth that cracks open in my head like an oyster and I see it. . .” Kerouac, J (1922-1969) Visions of Gerard, p.86 Penguin Classics (2020)
Exhibiting at the Guildford House Gallery until February 2026
Maurilia: as it used to be (40cm x 30cm) Pencil on Bristol Paper,
June 2024
— “The old postcards do not depict Maurilia as it was, but a different city which, by chance, was called Maurilia, like this one.”Calvino, I (1997) Invisible Cities, p.27 Vintage.
Exhibiting at Lake Gallery until January 24, 2026
Other People’s Memories Suspended Like the Smoke Under the Lamps (35cm x 28cm) Pencil on Bristol Paper,
May 2024
Available for purchase upon request. Please use the contact form for any enquires about this piece.
The Brief Repose Between the Last Time and Starting Again (35cm x 27cm) Pencil on Bristol Paper,
February 2024
​— To rest in a liminal space of impermanence and peace that comes only from the relief of closure and exists only until it’s worth the risk again to reopen old wounds.
Available for purchase upon request. Please use the contact form for any enquires about this piece.
The Hair Dressers (30cm x 25cm) Pencil on Bristol Paper,
July 2023
Sold
A Door Knock (25cm x 20cm) Pencil on Bristol Paper,
January 2024​
Available for purchase upon request. Please use the contact form for any enquires about this piece.
A Ceremonial Kiss (15cm x 11cm) Pencil on Bristol Paper,
December 2023​
Available for purchase upon request. Please use the contact form for any enquires about this piece.
The Disciples of an Abandoned Martyrdom
(31cm x 25cm) Pencil on Bristol Paper,
February 2024
— Casually uncertain and irresolute with a general affinity to being unfazed.
Available for purchase upon request. Please use the contact form for any enquires about this piece.
The Lunch Break (42cm x 30cm) Pencil on Bristol Paper,
September 2023
Available for purchase upon request. Please use the contact form for any enquires about this piece.
Vex (30cm x 30cm) Pencil on Bristol Paper,
October 2023​
Available for purchase upon request. Please use the contact form for any enquires about this piece.
